Book Review: The Last Orbit by Lance Jepsen

THE LAST ORBIT: A Sci-Fi Thriller of Erased Lives and Corporate Control by Lance Jepsen
My rating: 3 of 5 stars

In a far-future universe where corporations control everything, including history, going along is the only way to stay alive.

The Lost Orbit is a new science fiction thriller by Lance Jepsen, set in a distant future where corporations control everything. Nicole Gordon is the pilot of the Tethys, a salvage ship held together by little more than hopes and prayers. With few resources, she’s barely scraping by as she plies the Graveyard Orbit on the fringes of known space, looking for salvageable wreckage that others have overlooked or passed on, when she encounters an arkship, a huge, mythical spacecraft with its cargo still aboard and viable. But even the outer edges of space have corporate eyes and ears, and she soon finds herself fleeing for her life with one of the greatest secrets of her time by her side.

Nicole Gordon is a solitary soul, cynical, and suffering the aftereffects of a corporate memory wipe she underwent after a mission gone wrong three years earlier. Things that shouldn’t be familiar to her are, and the mental manipulations done to her seem to be slowly reversing. Why this is allowed, other than the corporations are in charge, we do not know. Did she agree to having some technician physically drill into her head? Still, I enjoyed the action as critical memories continued to reestablish themselves and the mystery of her past was revealed.

Nicole is supported by interesting secondary characters such as her friend, Riya Bass, who arrives on the scene after miraculously capturing part of a distress signal. She is a talented communications expert, using available space junk and cobbled-together pieces of obsolete tech to make broken things work. Alton Virek becomes Nicole’s companion as she flees the security forces of the corporation after she discovers their dirty secret hidden in the Graveyard Orbit. Dr. Imani Abut, not to be confused with another character, Jora Imanin, is a medical doctor who’s seen it all while hiding on a derelict space station on the fringes of space for the previous 20 years. The characters are chased through off-limits space and treacherous debris fields by the corporate hunters, as they desperately attempt to get the word out about the corporation’s biggest lie of all.

While the plot grabs attention and the settings are atmospheric, the story’s pace is hindered by constant description of every move, thought, and scene in a noir style. This treatment initially entertained me, but it quickly grew stale and disrupted the flow of the action. I really needed the author just to move it along. The author repeatedly used the same descriptions over and over again. All machinery and ship features groaned and moved as if they suffered from arthritis. The constant blaring of klaxons was accompanied by flashing red lights, always described as the color of a slaughterhouse or abattoir. Pilot Gordon experienced everything in her environment through her molars or the soles of her boots, and there was entirely too much hand-smacking of buttons, scraped knuckles, and bleeding on keyboards. I began to wonder if the basic story idea had been fleshed out using AI. Still, I wanted to know how the story resolved, which ultimately determined my 3-star rating.

I recommend THE LAST ORBIT to casual science fiction adventure readers.

View all my reviews