When his brothers discover the new extension at the rental cottage comes with a locked door, David finds the key first. Expecting to claim a bedroom, he opens a dimensional gateway instead, exploring abandoned versions of his world in different timelines, 1960s muscle cars alternating with crumbling cottages.
Except now the dimensional bridge won’t close, and something hungry claws the door at night. David scours for clues to break the bridge, but each trip to the other side makes him fade more on his. Even if he succeeds, he risks severing his connection to his own world, and dying on the wrong side, forgotten.
Thanks so much for having me as a guest. What a fantastic topic! What writer hasn’t lost hours—or days—going down a rabbit hole of research that started with one niggling question? And once you get excited about it, you want to share everything you’ve learned! But fiction isn’t a university dissertation. Your readers don’t want an encyclopaedia—well, maybe a couple of them do—the rest, they came to be entertained, so it’s our job as writers to use our research to paint subtle strokes that reinforce our world-building, not info-dumps that drag our audience out of the story.
For Breach, book 2 of the Dark Walker series, my Achilles heel of research was time travel, specifically, time distortion caused by near light-speed travel. I’m not well-studied on the topic. Not. At. All. It felt really intimidating for me to tackle a book that involved time travel aspects when I didn’t know a lot about the subject. I was certain I would confuse myself knotting up timelines. Time travel itself is a confusing beast.
Quite simply, I didn’t think I was smart enough to tackle the subject with any sort of authority. I’m still not. But Lord, did I go down a rabbit hole, folks.
I read articles on Einstein’s Theory of Relativity and time dilation—the phenomenon where if someone is standing still and, relative to them, someone else is moving at near light speed, time passes noticeably slower for the person going fast, relative to the person who’s not moving.
My main character David finds out that his universe is a tree that has tens-of-thousands of branching dimensions. When the big bang happened, dimensions accelerated away from the trunk and, compared to it, they’re moving away from it at near light speed. A few seconds in a dimension really high up the tree translates to much longer down in the trunk. Society has figured out how to hop between dimensional twigs using bridges, but they experience time dilation because of the differences in relative speed between their departure and arrival worlds.
Incidentally, the movie Interstellar does a great—if greatly exaggerated—job of showing the effects of time dilation effect caused by a nearby black hole.
I went so far as to find an online time dilation calculator and figure out what speed each dimension in David’s universe is moving at, and how much time dilation travellers would experience coming back from those worlds down to the trunk.
I even sketched out a rough little branching chart.
When Cory and David have a chat about time dilation, and he jots down a visual to explain it, I’ve included my illustration in the book. The acceleration of the worlds and the extent of time dilation my characters experience when they bridge worlds was all based on that time dilation formula calculator.
But readers don’t need to know all that when they’re deep into the story of Breach. They just need a short conversation between characters as to why time is all messed up, and maybe a little chart (because it was fun to draw). They just need the science to feel sound.
Did my research do that? Did it actually make my story better? I suppose that’s for my audience to decide. It did help me puzzle out some of the dilemmas I put David into, and it was fun. Sometimes we research for the pure fun of it, to satisfy a curiosity itch. Even if it doesn’t make it into your story, it still feeds your imagination, right? And that’s the most important part. Keep feeding those imaginations!
At a young age, Shelly Campbell wanted to be an air show pilot or a pirate, possibly a dragon and definitely a writer and artist. She’s piloted a Cessna 172 through spins and stalls, and sailed up the east coast on a tall ship barque—mostly without projectile vomiting. In the end, Shelly found writing and drawing dragons to be so much easier on the stomach. Shelly writes speculative fiction ranging from grimdark fantasy, to sci-fi and horror. She’d love to hear from you.
Thank you so much for featuring the DARK WALKER series today.
ReplyDeleteThank you for having me as a guest on the blog and helping me reach new readers! Really appreciate it!
ReplyDeleteCheers,
Shelly
I’m definitely looking forward to getting into the series!
ReplyDeleteThanks so much! I’d love to hear what you think of it.
DeleteCheers,
Shelly
Great cover. Sounds like a good story.
ReplyDeleteThanks again, Marcy!
DeleteCheers,
Shelly
Sounds like a great read.
ReplyDeleteThanks again, Sherry!
DeleteCheers,
Shelly
This looks really good. Thanks for sharing and hosting this tour.
ReplyDeleteThanks again, Michael!
DeleteCheers,
Shelly