Showing posts with label 1920s. Show all posts
Showing posts with label 1920s. Show all posts

Monday, May 25, 2026

Virtual Book Tour & Giveaway: Last Dance Before Dawn by Katharine Schellman

Last Dance Before Dawn by Katharine Schellman Banner

LAST DANCE BEFORE DAWN

by Katharine Schellman

May 25 - June 19, 2026 Virtual Book Tour

Synopsis:

Last Dance Before Dawn by Katharine Schellman

The Nightingale Mysteries

 

Vivian Kelly has finally created a home and a family at the glamorous speakeasy known as The Nightingale, where no one cares who you are in the daytime. After all, in the underground world of 1920s New York City, everyone has a secret to keep, and they’re on the Nightingale's dance floor to leave those secrets behind. But sometimes it takes more than a dance to escape your past.

When a stranger from Chicago shows up at The Nightingale looking to settle old scores, Vivian and the Nightingale's owner, the mysterious and alluring Honor Huxley, send him packing. They soon discover, though, that the stranger was just a warning. Slowly, the people who have made The Nightingale their home realize that someone is following them. Hunting them. And that someone won’t stop until they unravel a mystery that’s been cold for years: a missing girl, a boy out for revenge, and a truck full of cash that disappeared in a job gone horribly wrong.

Vivian just wants to protect the people she loves, and she's willing to dig into the dirt of the past to make it happen. But some questions are safer left unanswered, and now that Vivian has built a family for herself, she has more to lose than ever before.

Now experience this Edgar Award–nominated historical mystery in paperback!

Praise for Last Dance Before Dawn:

"A lively, sprawling crime story that captures the vibrancy of the Roaring ’20s."
~ Kirkus Reviews

Book Details:

Genre: Historical Mystery
Published by: Minotaur Books
Publication Date: May 26, 2026 | Paperback
Number of Pages: 350
ISBN: 978-1250325822
Series: The Nightingale Mysteries, Book 4 || Amazon, Goodreads, Macmillan Publishers
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Macmillan Publishers

Read an excerpt:

Manhattan, 1925

Everyone came to the Nightingale looking for something.

They didn’t have much else in common, the folks who snuck down the alley toward a single electric light that flickered like it had been forgotten for years and could burn out at any moment. You never knew who would whisper the password at the door under the light, who would make their way through the midnight velvet curtains that muffled loud laughter and louder jazz.

Maybe your family could have bought half of Fifth Avenue, or maybe you couldn’t even buy new shoes. More likely, you lived somewhere in between, with work that paid your bills and the hope, one day, of something a little more. At the Nightingale, it didn’t matter who you were in the daytime. If you could hold your booze and let loose on the dance floor and keep a secret for a stranger, you were in.

They came looking for excitement, for the thrill of breaking a law that no one liked anyway. They came to dance and drink and maybe find a new friend, the sort of friend who—¬ after a glass or three of champagne—¬ would meet them in a quiet corner to get a little bit friendlier.

They came because they loved the music, the way it curled through the air and carried them across the floor, the way the singer’s voice filled the room and made their hearts ache.

They came for the party. They came to escape.

If they were lucky, they could pretend that whatever waited for them back at home didn’t exist. They could lose themselves in the music and the arms of someone new. They could feel free, even if it would never last, because in that moment nothing mattered but the next dance, the next drink, the next hour.

If they were lucky, they found what they were looking for, and they left before trouble could find them.

But not everyone was lucky.

***

Vivian recognized the sound of danger before she even realized what she was hearing.

Twilight had settled on the city, humid and heavy and speckled with the glow of streetlamps. She and Beatrice Henry—¬ Beatrice Bluebird, as she was known at the Nightingale, where she sang six nights a week—¬ moved through it with the practiced carefulness of two women who were used to navigating New York’s streets alone. Their steps were quick, but their eyes were quicker, always on the lookout for a man who might be trouble or a cop who might be trailing them.

The Nightingale paid off the police weekly, like any other dance hall or juice joint. But everyone who worked there knew to be wary just the same.

It was that wariness that sent a prickle of warning down Vivian’s back when they were two blocks from the Nightingale’s back entrance.

“Bea—¬ ” Vivian tossed out a hand to stop her friend in the middle of the sidewalk. A few steps ahead of them, a cat yowled as it ran out of a narrow alley. “You hear that?”

For a moment, the only sound out of the ordinary was the distant grumble of thunder. Then Vivian heard it again.

“Look a little closer, pal.” The voice was low and menacing, snaking out of the shadows and clearly not meant to be overheard. “I want to make sure you and me is on the same page.”

“Viv—¬ ” Bea hissed, but Vivian couldn’t help herself; she took a step forward, just enough to peek down the alley.

Halfway down the narrow stretch of filthy brick walls, two men were just visible in the fast-¬ fading light. One had his back against a wall. He was the taller of the two, but he still shrank back from the menacing bulk of the second figure. That one loomed toward him, his wide shoulders cutting off any escape as he shoved some kind of paper toward the nervous man’s face.

“—told you, when I have something, I’ll let you—”

The menacing man shoved him against the wall, the gesture nearly careless enough to hide the violence of it. The voice broke off with a grunt of pain, but it had been enough. Usually, Vivian would have stayed far away from anything that sounded like a beating and wasn’t her business. But she recognized that voice.

“Don’t interrupt,” the menacing man snarled. “My boss don’t take kindly to rude fu—”

“It’s Spence,” Vivian hissed.

Bea tried to pull her away. “It’s not our business. We can tell Silence or Benny,” she whispered, naming two of the bruisers who worked at the Nightingale keeping customers—¬ and anyone else who needed it—¬ in line. “They’ll come handle it.”

“That’ll take too long.” Vivian shook her head, pulling away from Bea’s cautious hand and running down the alley toward trouble. “Hey! Leave him alone!”

The bruiser barely glanced over his shoulder at her, just cocked his fist back and drove it, almost casually, into the nervous man’s stomach. He doubled over, heaving and gasping for air, as his assailant tipped his hat mockingly. “We’ll be seeing you soon, boyo. You can count on it.”

He was gone before Vivian could reach them. She stood, panting and staring at the gap between buildings where he had disappeared. A drizzling rain began to fall, plastering her hair against her cheeks. She wasn’t dumb enough to go after him.

“You okay, Spence?” she asked instead, turning toward the remaining man as he braced his hands on his knees.

“Swell,” croaked the Nightingale’s second bartender, a lanky, mouthy, handsome grump. “What the hell are you doing here?”

“Apparently chasing off the fella who was about to beat you to a pulp,” she said, stung. Spence had been working at the Nightingale all summer and still hadn’t managed to endear himself to any of the other staff. But Vivian had expected at least some gratitude. Instead, he scowled at her like she was the one who had just punched him in the stomach, not the one who had run the attacker off. “But no need to say thanks or anything.”

He hauled himself upright, wincing. “I had it handled, you know,” he said, still sounding resentful. “I didn’t need a rescue.”

“Sure you did, pal,” Bea said, joining them at last. “That was a stupid thing to do, by the way,” she added, glancing at Vivian as she opened her umbrella and held it over both their heads. “Be glad he didn’t have a friend waiting to beat the stuffing out of you too.”

“My stuffing’s doing just fine,” Spence groused, pushing his wet hair off his forehead and straightening his jacket and tie.

“What was that about?” Vivian asked, laying a hand on his arm. “Spence? Are you in trouble?”

***

Excerpt from LAST DANCE BEFORE DAWN by Katharine Schellman. Copyright 2025 by Katharine Schellman. Reproduced with permission from Katharine Schellman. All rights reserved.

 

 

Author Bio:

Katharine Schellman

Katharine Schellman is an award-winning author of historical crime fiction, including the Nightingale Mysteries and the Lily Adler Mysteries, whose work has been called “worthy of Rex Stout or Agatha Christie” (Library Journal). Her books have been nominated for an Edgar and a Silver Falchion, and she has won a Zibby Media National Book Award for "Best Book for the History Lover." A former actor, onetime political consultant, and graduate of William & Mary, Katharine lives and writes in the mountains of Virginia.

Catch Up With Katharine Schellman:

www.katharineschellman.com
Amazon Author Profile
Goodreads - @katharineschellman
BookBub - @katharineschellman
Instagram - @katharinewrites
Facebook - @katharineschellman

 

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Saturday, May 02, 2026

Audiobook Review: Thea by Genevieve Morrissey

TheaThea by Genevieve Morrissey
My rating: 5 of 5 stars

Outstanding coming-of-age story set in 1920s Oklahoma City.

Thea by Genevieve Morrissey is the outstanding coming-of-age story of Thea Carter, set in the mid-1920s in Oklahoma City, and, combined with Nicole Fikes's audiobook narration, perfectly captures her struggles, triumphs, time, and place. All 15-year-old Thea wants is a little stability in her life, the chance to get her high school diploma, and her troubled mother to stop drinking.

As the housekeeper to Dr. Hallam, a new physician in town, Thea's mother not only receives a salary but also a separate, self-contained, private apartment over the garage, where young Thea can secretly reside, out of her employer's sight. Unfortunately, her mother's frequent benders put all this in jeopardy, so Thea does her best to pick up the slack while hiding in the background so Dr. Hallam doesn't give her mother the boot. As Thea juggles her home life and schoolwork, she excels at school and, as time goes on, is accepted by the close-knit group of students and catches the eye of popular, smart Homer. But when her part in the smooth running of his household is discovered by Dr. Hallam, rather than seeing Thea as an unwanted burden, he gradually becomes her champion and she his supportive confidant.

What a great story! Thea is engaging, endearing, and the picture of self-reliance, despite her tragic childhood, poverty, and manipulative alcoholic mother. With her eye always on the prize of earning her high school diploma, she overcomes so much that is stacked against her at the time, when girls were expected to leave school early, marry, and start a family.

Dr. Hallam has his own struggles. A quietly private man, his personal story is revealed only a little at a time, and what a surprising and sad one it turns out to be. But he, too, perseveres, and even gets a second chance, as Thea pushes and encourages and secretly works in the background to help make it happen.

The plot addresses important issues and how they were viewed during that era: women's roles, expectations, and education, Prohibition and drinking, pre-marital sex, and homosexuality. The Oklahoma City setting is unique, and although Thea says the city's population at the time of the story is over 100,000, it feels like a much smaller town. Everyone knows everyone else and all their business, and everyone has an opinion to share about what's going on.

The audiobook narration by Nicole Fikes is absolutely wonderful. Her performance shines with incredibly believable, varied voices for all the speaking characters: young, old, male, female, local, and foreign. The switch between Thea and her mother, who have many conversations together, is amazing. My favorite voice is that of Grace Carter, the mother, with her strong regional accent, wheedling, nagging, and alcoholic mumbling.

I highly recommend THEA to readers and listeners of historical fiction, especially those who enjoy an American midwestern or southern setting during the 1920s.

I voluntarily reviewed this after receiving an Advance Review Copy from the author through Silver Dagger Book Tours.

View all my reviews

Tuesday, February 13, 2024

Virtual Book Tour & Giveaway: Death at the Fireside Inn (Veronica Vale Investigates, #1) by Kitty Kildare

 

Death at the Fireside Inn
A 1920s Historical Mystery
Veronica Vale Investigates
by
Kitty Kildare

Historical British Cozy Mystery
1st in Series
Setting – 1920s London, England
Publisher: K.E. O’Connor Books
Publication Date: January 16, 2024
Number of Pages: 225 pages
Digital ASIN: B0CL2HDFSM

SCROLL DOWN FOR GIVEAWAY!

SYNOPSIS:

 

A fading star, a puzzling death, and a mystery that must be solved!

Veronica Vale spent a turbulent few years serving her country during the Great War - doing more than her role in the exchange network suggested! Now back on British soil and adjusting to life as an obituary writer for her uncle's newspaper, while caring for her ailing mother, Veronica has gotten used to a slower (and safer) pace of life.

Excitement comes from fun parties, walks with Benji, her beloved rescue dog, and volunteering at the Dogs' Home.

When an old family friend, and former superstar of the theatre, Florence Sterling, is discovered dead in her dressing room at the Winter Garden Theatre in London, Veronica is curious to discover what happened to the sweet, funny, ruthlessly ambitious beauty.

Much to the dismay of her sometimes nemesis Inspector Templeton, Veronica is tasked with writing Florence's obituary. And what she learns will blow the roof off the theatre! That's if she survives to tell the tale.

If you love witty dialogue, historical glamour, intrigue, and a fast-paced cozy mystery set in 1920s England, then you'll adore Kitty Kildare's unputdownable whodunits.

If you love witty dialogue, historical glamour, intrigue, and a fast-paced cozy mystery set in 1920s England, then you'll adore Kitty Kildare's unputdownable whodunits.

CLICK TO PURCHASE!

 

READ AN EXCERPT:

“At last!” Hetty reappeared at the door, and Peregrine growled at her. “You caught the nuisance. His brother and him were such pests whenever I worked. They were always getting in the way or nipping at my ankles.”

“There’s another pug in residence?” I asked. “I was only told about one in need of collection.”
Hetty waved a hand in the air. “It’s not here! I put together a box of the animal’s things. If you don’t take them, I’ll only throw them out.”

“I’ll take the toys. Peregrine will welcome his familiar things since his world has been so grievously upturned.”

“It’s by the front door.” Hetty shook her head as she regarded the pug with a shrewish look. 

“Florence treated those creatures like they were babies, not animals.”

“It’s a point of fact that we are all animals,” I said.

Hetty sniffed again. “Not by my reckoning. Time for you to go. You got what you came for.”

I stopped by a photograph hanging from a picture rail on the wall. “Your former employer must have been someone of note. These pictures are of famous people.”

Hetty looked at me as if I’d said something ridiculous. “Of course she was. Everyone knew Flo. 

And they all loved her. Mind you, they wouldn’t have been so fond of her if they had to clean up after her. She was almost as messy as her dogs, God rest her soul.”

“Florence was in the theatre business?”

“She was. You really must leave. I have so much to do.” Hetty marched to the door, lifted a box, and held it out to me.

I followed her to the door. “What about the other dog? I may as well collect them both. Where will I find him?”

Hetty tilted her head. “You don’t know what happened to Flo?”

“All I was told was there was an animal that needed rescuing because his owner died. I knew the woman’s name was Florence, and I was given this address. Is there something else I should know?”

Hetty pulled herself upright. “I should have said earlier. They found the other dog with Flo’s body. It’ll most likely be in the pound or have run off if the coppers didn’t grab it. That one was always escaping out the door if you didn’t watch for it.”

This news didn’t thrill me. The police dog pound was a notoriously unpleasant place, all cold floors and metal, and whenever I could, I got the dogs out and arranged for them to be fostered, or moved them to the much more appealing dogs’ home on the other side of the river.

“Where did Florence die?” I asked.

Hetty looked smug at having more information than I did, but I tried not to let it bristle.

“I don’t like to gossip,” she finally said.

“I’m sure you’ll make an exception on this occasion. Once I know everything, I’ll take this pug, and you’ll never see either of us again.”

“Florence took the dogs with her when she worked,” Hetty said. “But that one you’re holding wasn’t feeling well, so she left it behind. She was supposed to be home that night, but she never showed.”

“Did that not concern you?”

“I don’t live in. I have lodgings across town, so I didn’t know she hadn’t come home. Flo has several London homes, or she’d stay at a nearby hotel when she was working.”

“She died in a hotel?”

“I can’t tell you where she died. When the police came here, they said she’d passed last night after her performance. She was found when her other dog, Quillon, alerted to a problem. It kept barking.” Hetty’s expression grew sharp and shrivelled, as if she smelled something unpleasant. “The coppers wouldn’t tell me anything else, despite having worked for Flo for thirty years. If you need to know more, go to the Winter Garden Theatre. That was her second home, and where she held her last performance. The staff there should know more.”

I drew in a sharp breath. My gaze went to the sitting room with its photographs of dazzling bygone era theatre stars. “Flo. Florence. Are you talking about the theatre star, Florence Sterling?”

“And now the penny drops. The very same. And you’re standing in her home, holding one of her pugs,” Hetty said. “Aren’t you the lucky one?”


REVIEW:

Coming soon!


ABOUT THE AUTHOR:

Immerse yourself into Kitty Kildare's cleverly woven historical British mysteries. Follow the mystery in the Veronica Vale Investigates series and enjoy the dazzle and delights of 1920s England. Kitty is a not-so-secret pen name of established cozy mystery author K.E. O’Connor, who decided she wanted to time travel rather than cast spells! Enjoy the twists and turns.

| Goodreads

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February 7 – Mystery, Thrillers, and Suspense – SPOTLIGHT
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February 8 – Cozy Up With Kathy – REVIEW, AUTHOR INTERVIEW
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February 11 – Sapphyria's Book Reviews – SPOTLIGHT
February 12 – Literary Gold – AUTHOR INTERVIEW
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February 13 – Christy's Cozy Corners – AUTHOR GUEST POST
February 13 – Guatemala Paula Loves to Read – REVIEW
February 13 – Elizabeth McKenna - Author – SPOTLIGHT


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Friday, December 23, 2022

Virtual Book Tour & Giveaway: Her Sister's Death by K.L. Murphy

Her Sister’s Death by K. L. Murphy Banner

Her Sister's Death

by K. L. Murphy

November 28 - December 23, 2022 Virtual Book Tour

Synopsis:

Her Sister's Death by K. L. Murphy

She wanted the truth. She should have known better.

When her sister is found dead in a Baltimore hotel room, reporter Val Ritter’s world is turned upside down. An empty pill bottle at the scene leads the police to believe the cause of death is suicide. With little more than her own conviction, Val teams up with Terry Martin, a retired detective who has his own personal interest in the case, to prove that something more sinister is possible.

In 1921, Bridget Wallace, a guest on the brink of womanhood, is getting ready to marry an eligible older man. But what seems like a comfortable match soon takes a dark turn. Does the illustrious history of the stately Franklin hotel hide another, lesser known history of death?

Book Details:

Genre: Mystery
Published by: CamCat Books
Publication Date: December 2022
Number of Pages: 352
ISBN: 9780744307399 (ISBN10: 0744307392)
Book Links: Amazon | Barnes & Noble | Goodreads | CamCat Books

Read an excerpt:

PRESENT DAY

CHAPTER 1

VAL
Monday, 9:17 a.m.

Once, when I was nine or maybe ten, I spent weeks researching a three-paragraph paper on polar bears. I don’t remember much about the report or polar bears, but that assignment marked the beginning of my lifelong love affair with research. As I got older, I came to believe that if I did the research, I could solve any problem. It didn’t matter what it was. School. Work. Relationships. In college, when I suspected a boyfriend was about to give me the brush-off, I researched what to say before he could break up with me. Surprisingly, there are dozens of pages about this stuff. Even more surprising, some of it actually works. We stayed together another couple of months, until I realized I was better off without him. He never saw it coming.

When I got married, I researched everything from whether or not we were compatible (we were) to our average life expectancy based on our medical histories (only two years different). Some couples swear they’re soul mates or some other crap, but I considered myself a little more practical than that. I wanted the facts before I walked down the aisle. The thing is, research doesn’t tell you that your perfect-on-paper husband is going to

prefer the ditzy receptionist on the third floor before you’ve hit your five-year anniversary. It also doesn’t tell you that your initial anger will turn into something close to relief, or that all that perfection was too much work and maybe the whole soul-mate thing isn’t as crazy as it sounds. If you doubt me, look it up.

My love of research isn’t as odd as one might think. My father is a retired history professor, and my mother is a bibliophile. It doesn’t matter the genre. She usually has three or more books going at once. She also gets two major newspapers every day and a half dozen magazines each month. Some people collect cute little china creatures or rare coins or something. My mother collects words. When I decided to become a journalist, both my parents were overjoyed.

“It’s perfect,” my father said. “We need more people to record what’s going on in the world. How can we expect to learn if we don’t recognize that everything that happens impacts our future?” I fought the urge to roll my eyes. I knew what was coming, but how many times can a person hear about the rise and fall of Caesar? The man was stabbed to death, and it isn’t as though anyone learned their lesson. Ask Napoleon. Or Hitler. My dad was right about one thing though. History can’t help but repeat itself.

“Honey,” my mother interrupted. “Val will only write about important topics. You know very well she is a young lady of principle.” Again, I wanted to roll my eyes.

Of course, for all their worldliness, neither of my parents understands how the world of journalism works. You don’t walk into a newsroom as an inexperienced reporter and declare you will be writing about the environment, or the European financial market, or the latest domestic policy. The newspaper business is not so different from any other—even right down to the way technology is forcing it to go digital. Either way, the newbies are given the jobs no one else wants.

Naturally, I was assigned to obituaries.

After a year, I got moved to covering the local city council meetings, but the truth was, I missed the death notices. I couldn’t stop myself from wondering how each of the people died. Some were obvious. When the obituary asks you to donate to the cancer society or the heart association, you don’t have to think too hard to figure it out. Also, people like to add that the deceased “fought a brave battle with (fill in the blank).” I’ve no doubt those people were brave, but they weren’t the ones that interested me. It was the ones that seemed to die unexpectedly and under unusual circumstances. I started looking them up for more information. The murder victims held particular fascination for me. From there, it was only a short hop to my true interest: crime reporting.

The job isn’t for everyone. Crime scenes are not pretty. Have you ever rushed out at three in the morning to a nightclub shooting? Or sat through a murder trial, forced to view photo after photo of a brutally beaten young mother plastered across a giant screen?

My sister once told me I must have a twisted soul to do what I do. Maybe. I find myself wondering about the killer, curious about what makes them do it. That sniper—the one that picked off the poor folks as they came out of the state fair—that was my story. Even now, I still can’t get my head around that guy’s motives.

So, I research and research, trying to get things right as well as find some measure of understanding. It doesn’t always work, but knowing as much as I can is its own kind of answer.

Asking questions has always worked for me. It’s the way I do my job. It’s the way I’ve solved every problem in my life. Until now. Not that I’m not trying. I’m at the library. I’m in my favorite corner in the cushy chair with the view of the pond. I don’t know how long I’ve been here.

How many hours.

My laptop is on, the screen filled with text and pictures. Flicking through the tabs, I swallow the bile that reminds me I have no answer. I’ve asked the question in every way I can think of, but for the first time in my life, Google is no help.

Why did my sister—my gorgeous sister with her two beautiful children and everything to live for—kill herself? Why?

***

Sylvia has been dead for four days now. Actually, I don’t know how long she’s been dead. I’ve been told there’s a backlog at the ME’s office. Apparently, suicides are not high priority when you live in a city with one of the country’s highest murder rates. I don’t care what the cause of death is. I want the truth. While we wait for the official autopsy, I find myself reevaluating what I do know.

Her body was discovered on Thursday at the Franklin, a Do not Disturb sign hanging from the door of her room. The hotel claims my sister called the front desk after only one day and asked not to be disturbed unless the sign was removed. This little detail could not have been more surprising. My sister doesn’t have trouble sleeping. Sylvia went to bed at ten every night and was up like clockwork by six sharp. I have hundreds of texts to prove it. Even when her children were babies with sleep schedules that would kill most people, she somehow managed to stick to her routine. Vacations with her were pure torture.

“Val, get up. The sun is shining. Let’s go for a walk on the beach.”

I’d open one eye to find her standing in the doorway. She’d be dressed in black nylon shorts and neon sneakers, bouncing up and down on her toes.

“We can walk. I promise I won’t run.”

Tossing my pillow at her, I’d groan and pull the covers over my head. “You can’t sleep the day away, Val.”

She’d cross the room in two strides and rip back the sheets. “Get up.”

In spite of my night-owl tendencies, I’d crawl out of bed. Sylvia had a way of making me feel like if I didn’t join her, I’d be missing out on something extraordinary. The thing is, she was usually right. Sure, a sunrise is a sunrise, but a sunrise with Sylvia was color and laughter and tenderness and love. She had that way about her. She loved mornings.

I tried to explain Sylvia to the police officer, to tell him that hanging a sleeping sign past six in the morning, much less all day, was not only odd behavior but also downright suspicious. He did his best not to dismiss me outright, but I knew he didn’t get it.

“Sleeping too much can be a sign of depression,” he said. “She wasn’t depressed.”

“She hung a sign, ma’am. It’s been verified by the manager.” He stopped short of telling me that putting out that stupid sign wasn’t atypical of someone planning to do what she did.

Whatever that’s supposed to mean.

The screen in front of me blurs, and I rub my burning eyes. There are suicide statistics for women of a certain age, women with children, women in general. My fingers slap the keys. I change the question, desperate for an answer, any answer.

A shadow falls across the screen when a man takes the chair across from me, a newspaper under his arm. My throat tightens, and I press my lips together. He settles in, stretching his legs. The paper crackles as he opens it and snaps when he straightens the pages.

“Do you mind?”

He lowers the paper, his brows drawn together. “Mind what?” “This is a library. It’s supposed to be quiet in here.”

He angles his head. “Are you always this touchy or is it just me?”

“It’s you.” I don’t know why I say that. I don’t even know why I’m acting like a brat, but I can’t help myself.

Silence fills the space between us as he appears to digest what I’ve said. “Perhaps you’d like me to leave?”

“That would be nice.”

He blinks, the paper falling from his hand. I’m not sure which of us is more surprised by my answer. I seem to have no control over my thoughts or my mouth. The man has done nothing but crinkle a newspaper, but I have an overwhelming need to lash out. He looks around, and for a moment, I feel bad.

The man gets to his feet, the paper jammed under his arm. “Look, lady, I’ll move to another spot, but that’s because I don’t want to sit here and have my morning ruined by some kook who thinks the public library is her own personal living room.” He points a finger at me. “You’ve got a problem.”

I feel the sting, the well of tears before he’s even turned his back. They flood my eyes and pour down over my cheeks. Worse, my mouth opens, and I sob, great, loud, obnoxious sobs.

I cover my face with my hands and sink lower into the chair, my body folding in on itself.

My laptop slips to the floor, and I somehow cry harder. “Is she all right?” a woman asks, her voice high and tight. The annoying man answers. “She’ll be fine in a minute.”

“Are you sure?” Her gaze darts between us, and her hands flutter over me like wings, nearing but never touching. I recognize her from the reference desk. “People are staring. This is a library, you know.”

I want to laugh, but it gets caught in my throat, and comes out like a bark. Her little kitten heels skitter back. I don’t blame her.

Who wouldn’t want to get away from the woman making strange animal noises?

“Do you have a private conference room?” the man asks. The woman points the way, and large hands lift me to my feet. “Can you get her laptop and her bag, please?”

The hands turn into an arm around my shoulders. He steers me toward a small room at the rear of the library. My sobs morph into hiccups.

The woman places my bag and computer on a small round table. “I’ll make sure no one bothers you here.” She slinks out, pulling the door shut.

The man sets his paper down and pulls out a chair for me. I don’t know how many minutes pass before I’m able to stop crying, before I’m able to speak.

“Are you okay now?” I can’t look at him. His voice is kind, far kinder than I deserve. He pushes something across the table. “Here’s my handkerchief.” He gets to his feet. “I’m going to see if I can find you some water.”

The door clicks behind him, and I’m alone. My sister, my best friend, is gone, and I’m alone.

***

“Do you want to talk about it?” the man asks, setting a bottle of water and a package of crackers on the table.

Sniffling, I twist the damp, wadded up handkerchief into a ball. I want to tell him that no, I don’t want to talk about it, that I don’t even know him, but the words slip out anyway. “My sister died,” I say.

“Oh.” He folds his hands together. “I’m sorry. Recently?” “Four days.”

He pushes the crackers he’s brought across the table. “You should try to eat something.”

I try to remember when I last ate. Yesterday? The day before? One of my neighbors did bring me a casserole with some kind of brown meat and orangey red sauce. It may have had noodles, but I can’t be sure. I do remember watching the glob of whatever it was slide out of the aluminum pan and down the disposal. I think I ate half a bagel at some point. My stomach churns, then rumbles. The man doesn’t wait for me to decide. He opens the packet and pushes it closer. For some reason I can’t explain, I want to prove I’m more polite that I seemed earlier. I take the crackers and eat.

He gestures at the bottle. “Drink.”

I do. The truth is, I’m too numb to do anything else. It’s been four days since my parents phoned me. Up to now, I’ve taken the news like any other story I’ve been assigned. I’ve filed it away, stored it at the back of my mind as something I need to analyze and figure out before it can be processed. I’ve buried myself in articles and anecdotes and medical pages, reading anything and everything to try and understand. On some level, I recognize my behavior isn’t entirely normal. My parents broke down, huddled together on the sofa, as though conjoined in their grief. I couldn’t have slipped between them even if I wanted to. Sylvia’s husband—I guess that’s what we’re still calling him—appeared equally stricken. Not even the sight of her children, their faces pale and blank, cracked the shell I erected, the wall I built to deny the reality of her death.

“Aunt Val,” Merry asked. “Mommy’s coming back, right? She’s just passed, right? That’s what Daddy said.” She paused, a single tear trailing over her pink cheek. “What’s ‘passed’?”

Merry is the youngest, only five. Miles is ten—going on twenty if you ask me—which turned out to be a good thing in that moment. Miles took his sister by the hand. “Come on, Merry. Dad wants us in the back.” I let out a breath. Crisis averted.

My sister has been gone four days, and I haven’t shed a tear. Until today. The man across the table clears his throat. “Are you feeling any better?” “No, I’m not feeling better. My sister is still dead.” God, I’m a bitch. I expect him to stand up and leave or at least point out what an ass I’m being when he’s gone out of his way to be nice, but he does neither. “Yes, I suppose she is. Death is kind of permanent.”

I jerk back in my chair. “Is that supposed to be funny?”

Unlike me, he does apologize. “I’m sorry. That didn’t come out right. I never did have the best bedside manner for the job.”

I take a closer look at the man. “Are you a doctor?”

He half laughs. “Hardly. Detective. Former, I mean. I never quite got the hang of talking to the victims’ families without putting my foot in my mouth. Seems I’ve done it again.”

My curiosity gets the best of me. He’s not much older than I am. Mid-forties. Maybe younger. Definitely too young for retirement. “Former detective? What do you do now?”

“I run a security firm.” He lifts his shoulders. “It’s different, has its advantages.”

The way he says it, I know he misses the job. I understand. “I write for the Baltimorean. Mostly homicides,” I say. “That’s a good paper. I’ve probably read your work then.”

Crumpling the empty cracker wrapper, I say, “I’m sorry I dumped on you out there.”

He shrugs again. “It’s okay. You had a good reason.” I can’t think of anything to say to that.

“How did she die, if you don’t mind my asking?”

The question hits me hard. What I mind is that my sister is gone. My hands ball into fists. The heater in the room hums, but otherwise, it’s quiet. “They say she died by suicide.”

The man doesn’t miss a beat. “But you don’t believe it.” He watches me, his body still.

My heart pounds in my chest and I reach into my mind, searching for any information I’ve found that contradicts what I’ve been told. I’ve learned that almost fifty thousand people a year die by suicide in the United States. Strangely, a number of those people choose to do it in hotels. Maybe it’s the anonymity. Maybe it’s to spare the families. There are plenty of theories, but unfortunately, one can’t really ask the departed about that. Still, the reasoning is sound enough. For four days, I’ve read until I can’t see, and my head has dropped from exhaustion. I know that suicide can be triggered by traumatic events or chronic depression. It can be triggered by life upheaval or can be drug induced, or it can happen for any number of reasons that even close family and friends don’t know about until after—if ever. I know all this, and yet, I can’t accept it.

Sylvia was found in a hotel room she had no reason to be in. An empty pill bottle was found on the nightstand next to her. She checked in alone. Nothing in the room had been disturbed. Nothing appeared to have been taken. For all these reasons, the police made a preliminary determination that the cause of death was suicide, the final ruling to be made after the ME’s report. I know all this. My parents and Sylvia’s husband took every word of this at face value. But I can’t. Sylvia is not a statistic, and I know something they don’t.

“No. I don’t believe it.” I say, meeting his steady gaze with my own.

He doesn’t react. He doesn’t tell me I’m crazy. He doesn’t say “I’m sorry” again. Nothing. I’m disappointed, though I can’t imagine why. He’s a stranger to me. Still, I press my shoulder blades against the back of the chair, waiting. I figure it out then. Former detective. I’ve been around enough cops to know how it works. It’s like a tribe with them. You don’t criticize another officer. You don’t question anyone’s toughness or loyalty to the job. You don’t question a ruling that a case doesn’t warrant an investigation, much less that it isn’t even a case. So, I sit and wait. I will not be the first to argue. It doesn’t matter that he’s retired and left the job. He’s still one of them. In fact, the more I think about it, I can’t understand why he’s still sitting there. I’ve been rude to the man. I’ve completely broken down in front of him like some helpless idiot. And now, I’ve suggested the cause of death that everyone—and I mean everyone—says is true is not the truth at all.

He gets up, shoves his hands in his pockets.

This is it. He’s done with me now. In less than one minute he’ll be gone and, suddenly, I don’t want him to leave. I break the silence.

“I’m Val Ritter.” “Terry Martin.”

I turn the name over in my brain. It’s familiar in a vague way. “Terry the former detective.”

“Uh-huh.” He shifts his weight from one foot to the other. “Look, I’m sorry about your sister. You’ve lost someone you love, and the idea that she might have taken her own life is doubly distressing.”

“I’m way past distressed. I’m angry.”

“Is it possible that you’re directing that anger toward the ones that ruled her death a suicide instead of at your . . .” His words fall away.

“My sister?” “Yes.”

“I might be if I thought she did this.” I cross my arms over my chest. “But I don’t. This idea, this thing they’re saying makes no sense at all.”

Terry the former detective’s voice is low, soothing. “Why?”

My arms drop again. I’m tempted to tell him everything I know, which admittedly isn’t much, but I hold back. This man is a stranger. Sure, he’s been nice, and every time I’ve expected him to walk out the door, he’s done the opposite. But that doesn’t mean I can trust him.

“I’m sorry if my question seems insensitive,” he says. His voice is soft, comforting in a neutral way, and I can picture him in an interrogation. He would be the good cop. “No matter how shocking the, uh, idea might be, I have a feeling you have your reasons. You were close—you and your sister?” “We were.” I sit there, twisting the handkerchief in my fingers. The heat-

er makes a revving noise, drops back to a steady hum. “We talked all the time, and I can tell you she wasn’t depressed. That’s what they kept saying. ‘She must have been depressed.’ I know people hide things, but she was never good at hiding her emotions from me. If anything, she’d been happier than ever.” I give a slow shake of my head. “They tried to tell me about the other suicide and about the pills and the sign on the door and—” I stop. I hear myself rambling and force myself to take a breath. “If something had been wrong, I would have known.”

Terry the former detective doesn’t react, doesn’t move. He keeps his mouth shut, but I know. He doesn’t believe me, same as all the others. I can tell. There is no head bob or leading question. He thinks I’m in denial and that I will eventually accept the truth. He doesn’t know me at all.

The minutes pass, and I drink the water. I realize I feel better. It’s time to leave. “I should be going.” I hold up the crumpled rag in my hand. “Sorry I did such a number on your handkerchief. I can clean it, send it to you later.”

He waves off the suggestion. “Keep it.”

I gather my items and apologize again. “Sorry you had to witness my meltdown out there.”

“It happens.”

I’m headed out the door, my hand on the knob, when he breaks protocol.

“What did you mean by ‘the other suicide’?”

CHAPTER 2

TERRY
Monday, 10:02 a.m.

The woman—Val, I remind myself—hesitates. I can see she’s wary, worried I don’t believe her. I don’t know that I do, but I am curious. “What

did you mean? There was another suicide?”

“A month ago, maybe a little longer, a woman killed herself in the same hotel. She jumped off the roof, which apparently was no easy task since there were all kinds of doors to go through to get up there. Of course, what happened to her was horrible, but it has nothing to do with my sister. I don’t know why they’re acting like it does.”

My jaw tightens. “Which hotel?”

“The Franklin.”

I look past her and think maybe I should be surprised, but nothing about that hotel surprises me. “The Franklin,” I say, echoing her words.

The Franklin is one of Baltimore’s oldest hotels. Built in 1918, it’s fifteen stories high with marble columns and archways at the entrance. Along with the Belvedere, before it became condos, and the Lord Baltimore, the Franklin is a destination, a swanky place that’s attracted film stars and

politicians for decades. Somewhere along the line, it fell into disrepair and the famous guests went elsewhere. For a brief time, the management offered rooms for short-term rentals, desperate to keep the hotel from plunging further into the red. Twenty years ago, the hotel was sold to an investment group. They declared the hotel historic, sunk tens of millions of dollars into it, and reopened it in grand style. The governor and the mayor cut the big red ribbon. Baseball stars from the Orioles and a well-known director were photographed at the official gala. It was a big to-do for the city at the time. Since then, it’s remained popular—one of the five-star hotels downtown, which, of course, means that a night there doesn’t come cheap. That’s the press release version.

But there’s another one. Lesser known.

Val is calm now, watching me, and I catch a glimpse of the reporter. “Do you know it?” she asks.

“Yeah, I know it.” Stories have circulated about the hotel through the years. Some are decades old while others have been encouraged by the hotel itself. Ghost tours are popular these days, and the Franklin tour is no exception. “It has a history. For a while, it was called the Mad Motel.”

She flinches. “What?”

“According to my grandfather, people seemed to die there. Most deaths occurred right after the Depression, victims of the stock market crash, but not all. There was one guy that killed his whole family right before he killed himself. They said he lost his mind. That was the first time it was called the Mad Motel, though there were other stories.”

“What are you saying?”

I see the flush on her cheeks and know my words have upset her in a way I didn’t intend. I do my best to smooth it over. “Nothing. I didn’t mean anything. I’ve never been a fan of the name myself, but there were some guys around the department that used it.”

The anger that colored her cheeks a moment earlier fades, eclipsed by something else I recognize. Curiosity. “Why would they use such a terrible name?”

It’s a valid question, and I give the only explanation I can. “The first time I heard it on the job was about fifteen years ago. An assault at the Franklin. I didn’t catch the case, but I remember a man almost beat his wife to death. He would have, if someone in the next room hadn’t called the police.”

She doesn’t blink, doesn’t raise a hand to her mouth. Just waits. “Before that day, the guy was a typical accountant. Kind of nerdy.

Mild-mannered. Went to work. Went home to his family. Nothing out of the ordinary. Then they fly into Baltimore for their nephew’s wedding, stay at the Franklin. As they were dressing, he loses it. He hits her with the lamp, punches her, throws her up against the wall. When the police arrived, they had to pry him off of her. They rushed her to the hospital. She ended up with broken ribs, a concussion, a whole bunch of other stuff.”

“And the husband?”

“That’s what was so strange. According to the officers on the scene, as soon as they pulled him off, he stopped all of it. He cried, begged to be allowed to go with her to the hospital. When they took him downtown, he swore he didn’t know what had come over him. That he’d never hit anyone in his life, and he couldn’t even recall being angry with her. They kept him in jail until she woke up. Oddly, she corroborated his story. She said he didn’t have a violent bone in his body before that day.”

Val’s forehead wrinkles. “I don’t remember ever reading about that case.

What happened?”

“He was charged in spite of his wife’s insistence that she didn’t want that. When he went to trial, his lawyer put him on the stand. That’s when I heard his story.” I pause and run my hand over my face, scratching at my chin. “He told the jury that while he was putting on his tux jacket, a cold breeze blew in. He said he checked the room, but the windows were closed, and it was winter, so the heat was on. Then according to him, this cold air got into his body, in his hands and his feet and then his mind. He said when his wife came out of the bathroom, he didn’t recognize her, that she was someone else, something else.”

“Something else? What does that mean?”

“He described a monster with sharp teeth and claws. His attorney even had a drawing done by a sketch artist. She held it up for the jury, but the man wouldn’t look at it. Refused. He claimed he panicked, grabbed the lamp, and swung, but the monster kept coming. He said the monster howled—that was probably his wife screaming—and came at him again. That must have been when the guest in the other room called the police.” I pause again. Even as I say it, I know how it sounds. “So, he tells this story at trial, and everyone looks around at each other thinking this guy is crazy. But his wife is in the audience and nodding like it’s true. The prosecutor goes after him, but he doesn’t back down. He admits he attacked someone, but he swears he didn’t knowingly hurt his wife. He breaks down on the stand, and it’s basically bedlam in the courtroom.”

Memories of that day flood my mind. I sat in the back of the packed courtroom, watching the melee. It was hard to know what to think. Was the man delusional? A sociopath? Or was he telling the truth? Fortunately, Val doesn’t ask my opinion, and I tell her the rest.

“The prosecutor decided to cut his losses,” I say. “He let the man plead to a lesser charge and get some mental help.”

“That’s all?”

“Yep. The man did three months in a mental health facility, then went back to Omaha and his wife. End of story.”

“So that’s why the Franklin is called the Mad Motel?”

“It’s one of the reasons. But like I said, the place has a history.” Newspaper articles and pictures and evidence files flit through my mind. Many of the images are gruesome. Others just sad. Although the library is warm, I’m cold under my jacket. My voice drops to a whisper, the memories too close for comfort. “A history of death.”

***

Excerpt from Her Sister's Death by K. L. Murphy. Copyright 2022 by K. L. Murphy. Reproduced with permission from CamCat Books. All rights reserved.

 

My Review:

5 stars!

Her Sister’s Death is a riveting tale of murder and deception. I was immediately invested in Val and Terry’s investigation and the flashback story of Bridget Wallace. The author makes the story come alive through three points of view: those of Val, Terry, and Bridget, and I was mesmerized by the telling. 

All three of the main characters are likable protagonists. Val is steadfast in her belief in her sister, dogged pursuit of the truth, and I found her very easy to relate to. She and Terry make engaging and formidable partners, and I liked how quickly they became an effective team. I wouldn’t mind seeing this pair again in a sequel. 

The 1921 storyline was frightening and tragic and all too easy to imagine happening. That poor girl is still so young and is facing a bleak future, even before she understands the true depths of her situation. The interactions with her fiancé and later husband, Lawrence, were almost too painful to read. And for me, there remain the questions: was it something evil inherent in the hotel, or is it the evil spirit of the man that continues to affect the guests of the Franklin, or has the spirit of the man become the spirit of the hotel? 

I recommend HER SISTER’S DEATH for mystery readers who enjoy a touch of the paranormal in their stories, dual timelines, or mysteries set in hotels, the 1920s, or Baltimore.

 

Author Bio:

K. L. Murphy

K. L. Murphy is the author of the Detective Cancini Mystery Series: A Guilty Mind, Stay of Execution, and The Last Sin. Her short stories are featured in the anthologies Deadly Southern Charm (“Burn”) and Murder by the Glass (“EverUs”). She is a member of Mystery Writers of America, International Thriller Writers, Sisters in Crime, James River Writers, and Historical Writers of America. K. L. lives in Richmond, VA, with her husband, children, and amazing dogs. When she’s not writing, she loves to read, entertain friends, catch up on everything she ignored, and always—walk the amazing dogs.

Catch Up With K. L. Murphy:
KellieLarsenMurphy.com
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Twitter - @klmurphyauthor
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